Two years ago, facing evidence that the object had been looted from an Etruscan archaeological site near Rome, the Metropolitan agreed to return it to Italy.

Endlessly reproduced and carefully studied during its three decades on display in New York, the work has enlightened generations of Americans and visitors.Īccording to Italian authorities, however, the vase is stolen property. Perhaps the most famous example of Attic red-figure painting known to the modern West, the vessel has offered millions of viewers a portal into the ancient world and a potent initiation into the mysteries of painting. Executed in black glaze on red clay, the Euphronios Krater’s decoration depicts an episode from the Iliad in which the slain warrior Sarpedon, son of Zeus, is carried toward his homeland by the figures of Sleep and Death. In 1972, the Metropolitan Museum of Art acquired, for the then-astounding price of $1 million, an exceptional artifact of Greek vase painting dating from the sixth century B.C. Who Owns Antiquity? Museums and the Battle Over Our Ancient Heritage, by James Cuno, Princeton University Press, 248 pp., $24.95

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